This provides “A Soldier’s Play,” which opened on Tuesday at the American Airlines Theater, the solid if programmatic structure of a police procedural: Interrogate, rinse, repeat. He hates his own race so virulently that almost everyone, from the Ku Klux Klan to his own corporal, has a motive for killing him. Waters, is not immune, though black himself. As Davenport is about to discover in “A Soldier’s Play,” the Pulitzer Prize-winning 1981 drama by Charles Fuller, racism is a disease that infects whatever it touches. Their diametrical reactions to him - the white officers shocked and hostile, the black grunts busting with pride - tell you everything you need to know about race relations in the segregated military in 1944. Richard Davenport, a lawyer with the Provost Marshal General’s office in Washington, arrives at a Louisiana army base to investigate a murder, he is the first black officer most of the men stationed there have ever seen.
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